Martha Argerich - Mikhail Pletnev: Sergei Prokofiev : Cinderella Suite - Maurice Ravel : Ma mere l'Oye

Serge Prokofiev : Cinderella : Suite from the Ballet op.87
Transcibed for 2 Pianos by Mikhail Pletnev
(Mikhaill Pletnev's arrangement of Prokofiev Cinderella written for
and dedicated to Martha Argerich)
Maurice Ravel : Ma Mere l'Oye
Martha Argerich : Piano
Mikhail Pletnev : Piano
Cinderella : Martha Argerich, First Piano (left channel)
Mikhail Pletnev, Second Piano (right channel)
Ma Mere l'Oye : Martha Argerich and Mikhail Pletnev playing Four Hands
on 1 piano, Martha Argerich sitting Left
----------------------------------------------------------------------------------

Tracklist :
Martha Argerich - Mikhail Pletnev - Sergei Prokofiev : Cinderella Suite - Maurice Ravel : Ma mere l'Oye - SuperAudioSD - 2004.
01. Prokofiev : Cinderella, Suite from the Ballet op.87 : I. Introduction. Andante dolce [0:02:33.12]
02. II. Querelle. Allegretto [0:03:28.02]
03. III. Hiver. Adagio - Allegro moderato [0:04:13.38]
04. IV. Printemps. Vivace con brio - Moderato - Presto [0:02:04.61]
05. V. Cinderella's Waltz. Andante - Allegretto - Poco piu animato - Piu animato - Meno mosso [0:06:04.94]
06. VI. Gavotte. Allegretto [0:02:23.17]
07. VII. Gallop. Presto - Andantino - Presto [0:04:13.32]
08. VIII. Valse Lente. Adagio - Poco piu animato - Assai piu mosso - Poco piu animato - Meno mosso [0:04:26.98]
09. IX. Finale. Allegro moderato - Allegro espressivo - Presto - Allegro moderato - Andante [0:06:18.09]
10. Ravel : Ma Mere l'Oye : I. Pavane of the Sleeping Beauty. Lento [0:01:27.22]
11. II. Tom Thumbt. Tres modere [0:02:29.37]
12. III. Laideronnette, Empress of the Pagodas. Mouvement de marche [0:02:56.33]
13. IV. Conversations of Beauty and the Beast. Mouvement de valse tres modere [0:04:09.17]
14. V. The Fairy Garden. Lent et grave [0:02:59.52]

Download: CD
Password: unite

Comentários

Postagens mais visitadas deste blog

Gioachino Rossini (1792-1868) - William Tell Overture, Joseph Haydn (1732-1809) - Cello Concerto No. 1 in C major, Hob.VIIb:1 e Edward Elgar (185